Archive for February, 2009

The More You Know: Eight’s not enough

Add comment February 19th, 2009

The United States of Tara: Imperfect, but oddly charming

taraI’ve started to watch The United States of Tara, the new Diablo Cody-penned series on Showtime starring Toni Collette, and so far the news is good.  Although if I haven’t gotten Showtime to watch Weeds, I’m sure as hell not getting it to watch this show.

The plot of Tara is thus: Tara has multiple personalities. That’s basically it.

She’s got a petulant teen daughter, a young homo son and a confoundingly supportive husband (John Corbett) who seems to take it in stride when she switches personalities. Those personalities are, for the record, a straight male truck driver-type, a  pain in the ass teenage girl (to match the daughter — looks like Diablo likes writing herself into her stories), and a June Cleaver-style housewife.

After seeing a couple of episodes, it seems like a somewhat promising, if lightweight, series given credibility by a convincing and layered (seriously, layered) performance by Toni Collette. She’s really great in the role, making the most hard-to-believe part of the whole show seem natural.

The biggest problem I can see on the show thus far is just a lack of depth.For starters, Tara has a seemingly rock solid marriage, despite the fact that she’s only herself a quarter of the time . Her husband Max (who is a landscaper? Or has some job that involves digging and listening to a typecast Patton Oswalt act ornery?) seems to be completely fine with it for the most part, only seeming slightly disappointed when his wife has taken on the personality of a male hillbilly.  I’m hoping they clear up some of this backstory in short order (note: cracks start to appear in the marriage around episode four).

Aside from that, the kids have small plotlines that are amusing, but really have nothing at stake. The son has an infatuation with a boy at school. The daughter got a job at a local restaurant and has a combative (flirtatious?) relationship with the manager (played by Nate Corddry). Every aspect of the show seems like a b-plot — I’m waiting for something really awful to happen and, if Juno is any indication, I’m thinking there’s a likelihood that it might just amble on permanently.

The show is undeniably the work of Diablo Cody, with the actors reciting her show-offy (and unnaturally complicated) banter like a latter-day, grown-up Dawson’s Creek. Like Juno, sometimes the dialogue is tart and clever. And like Juno, sometimes it’s not so much clever as it is a whole bunch of words crammed into a small space (including a ton of slang that isn’t actually slang). It’s precious, and you have to ignore it at times (cut her some slack!  She was a stripper, you know!).

This all seems rather negative, which isn’t my point. The characters are all reasonably likable and sympathetic — plus there’s enough dialogue that hits the mark that you don’t feel like you’re wasting your time (take the scene where Tara consults with a client who admits to being molested. Trust me, it was funny.) In short, I’d be willing to stick with the show with the hope that it pays off (there are plenty of shows that never got that far. Isn’t that right, Worst Week?).

johncorbettbandThis is the part in the review where I discuss my uncomfortable attraction to John Corbett (I only know him from My Big Fat Greek Wedding and other various one-off roles. I know he was on Sex and the City — but even thinking about that show gives me violent diarrhea). He’s undeniably good-looking — in that broad-shouldered, lantern-jawed way that I like — but I think what makes me anxious about this attraction is that he’s got the textbook good looks with a cozy undertone of blandness. It wounds my credibility as a lovable blogging eccentric. I have no problem admitting to having a thing for Jake Gyllenhaal or obscure musicians, but admitting an attraction to John Corbett is like admitting to being attracted to a buttered slice of Wonder Bread.

Plus, there’s the issue of his musical endeavors. Haven’t heard the music, but judging from Dukes of Hazzard Go To West Hollywood attire and unkempt sideburns, I’m can safely assume that it’s processed cheese.

PS – Rabid fans with Google alerts for John Corbett — please do not leave indignant comments.

5 comments February 18th, 2009

The More You Know: Obsessing over the inane makes life worth living

Add comment February 18th, 2009

The TV Blog Coalition

bluecoalition.jpgBuzz threw caution (and logic) to the wind and made her picks for this year’s American Idol top 12. (BuzzSugar)
Scooter got so weak in the knees he could hardly speak after the premiere of Survivor: Tocantins. But he was able to string a few words together including predicting a winner. (Scooter McGavin’s 9th Green)

The smile and blond hair have a lot to do with it, but Vance still defends The Mentalist (with Simon Baker) is way more fun to watch than a procedural has any right to be. (Tapeworthy)

This week, Jace reviewed the first few episodes of Joss Whedon’s new FOX drama Dollhouse, starring Eliza Dushku. (Televisionary)

This week, we offered up our take on the CHUCK and FRINGE Panels from last weekend’s New York Comic Con (The TV Addict)

Yeesh! Not even a decent Weekend Update could save a pretty dismal Bradley Cooper-hosted Saturday Night Live. (TiFaux)

Kate and Raoul rounded up all of their remaining questions about Battlestar Galactica. (TV Filter)

Jonathan’s Mac developed Tourette’s thanks to Victor Solomon’s potty-mouthed The Sopranos edit (TV Spy)

Add comment February 17th, 2009

I’m a PC and I’m four and a half

Little Asian children are my kryptonite — against them I am powerless.  I am guessing you are too.

Microsoft knows this, and now has a handy tool in their belt in the fight against those insufferably smarmy “I’m a Mac, I’m a PC” commercials.

Add comment February 17th, 2009

Opening credits: Change we can’t believe in

Several media outlets brought the new Simpsons credits to my attention today, and I have to say, this is just the latest in a troubling new trend of shows changing their tried-and-true opening sequences after many, many seasons.

The first culprit: ER. These are the season 1 credits:

Look how young everyone is! This is before Clooney’s Caesar haircut, and before, you know, everybody died. So they ran with a version of this intro for thirteen years. Then, in 2007, someone over at NBC decided that the classic, 43-second opening sequence was just too bulky for the New Show Populated By People We Don’t Care About Please Come Back Noah Wyle. So this is what we get (just the beginning part):

Yep. Five seconds. I can totally understand abridging the credits to fit in more content. Or cutting them down, like Friends did after a few years, because everyone knows what the song sounds like and frankly, can’t stand to listen to it even one more time (clap clap clap clap). But after thirteen years? That is so strange.

Exhibit 2: The Amazing Race. Here are the classic TAR credits (beginning about 6:30 in), including such thirteen-races-old archetypes as Plane Flying, Sun Setting, Cities With Tall Things, Shouting Indigenous Folks, and Indigenous Folks With Indigenous Livestock. And of course, the very important Final Bomp.

Sunday’s first episode of TAR 14 showcased the new credit sequence:

It’s like they suddenly remembered that Jerry Bruckheimer produces this show! And let Michael Bay handle the sound editing! It’s so bizarre and metal-y. And the Final Bomp is sadly subdued.

So the extended Simpsons intro is kind of fitting into the mold, although I’m kind of sad that the Simpsons now have a nicer TV than I do. The credit sequence for The Simpsons has always been more malleable than most shows’ (and I’m not a hardcore Comic Book Guy about the show) so this doesn’t really bother me, but you know, sometimes you need continuity in television. Which is why I watched five episodes of Sports Night on DVD yesterday.

Add comment February 17th, 2009

TV on DVD for February 17th, 2009

Title Season
Beverly Hillbillies, The The Official 3rd Season
Dead Like Me Life After Death, The Complete Collection
F Word, The Series 1: Uncensored
Food Paradise Season 1
Law & Order: Special Victims Unit The 8th Year
Murder, She Wrote The Complete 9th Season
Real Adventures of Jonny Quest, The Season 1, Volume 1
Sabrina, the Teenage Witch The 5th Season
Wycliffe Series 1
 

Add comment February 17th, 2009

The More You Know: We already knew

Add comment February 17th, 2009

Monday Evening Quarterback: SNL Season 34, Episode 16

Steve Martin may maintain the record (and others may, understandably, stay at a respectful distance) and Justin Timberlake may get the most press, but Alec Baldwin has been the outside personality most visible on Saturday Night Live for the past fifteen years or so — to such a degree that his eventual late-career peak as star of 30 Rock feels like a natural progression from his sketch comedy hobby.

Baldwin evidently feels so at home on SNL, in fact, that a parade of additional guest stars were all over this week’s episode to compensate for the host’s status as a semiregular. The first half-hour in particular was packed: Dan Akroyd presided over the Republican-mocking opening; 30 Rock scene-stealer (and, I’ve heard, one-time SNL audtioner) Jack McBrayer turned up for the monologue; musical guests the Jonas Brothers were the focal point of a sketch and the digital short; and Cameron Diaz reprised her Cougar Den character Kiki LaMore (which, sort-of-fun fact, she has never done while actually hosting).

Click to continue reading “Monday Evening Quarterback: SNL Season 34, Episode 16″

4 comments February 16th, 2009

The More You Know: Racism is the new tween

Add comment February 16th, 2009

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